Wednesday, May 12, 2010
Fontstruct
Monday, May 3, 2010
Sunday, May 2, 2010
some final artifacts


Monday, April 26, 2010
Friday, April 23, 2010
Thursday, April 22, 2010
Sunday, April 18, 2010
Sunday, April 11, 2010
patterns revised
Thursday, April 8, 2010
Who is doing what for our conference?
Monday, April 5, 2010
Friday, April 2, 2010
Fusion progress
Monday, March 29, 2010
Fusion: a 5 day summer camp experience:)
We have decided to turn our conference into a five-day summer camp. This camp would be directed towards design students (college level) and even working design professionals. The focus is experimenting with a small group on how type can be fragmented, distorted, ect, then set into motion. The final judging would be a presentation on progress (experimentation & production) with a final motion piece.
DAY ONE: would be an introduction day where leading professionals give their testimonies of how experimenting with type and setting it into motion helped their design thinking. There would be small group discussions with these professionals that would help spark ideas to what to do with experiments once they are made. This would hopefully inspire all of the design conference attendees to think creatively in the next few days.
DAY TWO: would be a trip to MCAD (Minneapolis college of art and design) where attendees will be provided a room full of things to experiment with. This would be a full day of experimenting with type materials and how it can be distorted or altered. They would be provided with video cameras, printers, cameras, and mixed media. Our lovely sponsors will provide whatever they need to produce their motion piece.
DAY THREE: would be a half day of putting these things together with your assigned group of four people. The groups will be focused on what things your experiments may have in common and how you can combine these things together to create a common focus or brand (required content provided by the Walker Art Center). Professionals will also be walking around group to group to give some critiques and feedback.
DAY FOUR: would be a full out production day of making actual pieces and putting together a group presentation.
DAY FIVE: Presentations with judges, actual judging, and award ceremony at night.
What would winner get out of this?
There will be one student group and one professional group that will be awarded and receive a certificate and space in the walker gallery showcasing final design piece.
Around 40 attendees
10 groups / 4 ppl per group / 5 proffessional groups & 5 student groups
Sponsors:
MCAD
Walker Art Center
Canon
Adobe
Apple
Friday, March 26, 2010
Thursday, March 25, 2010
Revised Conference Theme
PLAN OF ACTION!!!!
Cameron- will be developing two animations that will be played for openers to speakers, or as an art element for promotion, or setting. This animation will include the fusion logo. They will be using elements of all our type experiments, but combined to create a cohesive branding strategy.
Mo&Johnna- Will be developing the logo and color palette. This will be combing all of our experiment files. Johnna will be working with textures and patterns. Mo will be applying the typographic elements with the word fusion that will be super imposed to this texture. (The system will be similar to the Walker museum example shown in class.) This will allow for a lot of flexibility in our logo/branding/identity.
HERE IS OUR REVISED PARAGRAPH!!!!
Fusion:
Type& Motion
Friday, March 12, 2010
initial concept map
theme for type conference
Friday, March 5, 2010
final statement for type
When first starting this project I was dealing with the underlying question of how mirrors reflect typography. My initial thought was to create a kaleidoscope but then I realized that it is not about having an actual kaleidoscope but more about the characteristics of one and what makes it interesting? When thinking about specific questions to base my experiments on I asked several but the ones I focused on were these: What are the principles of a kaleidoscope? How can these characteristics come through in typography? Can a letter that is fragmented create a more interesting pattern? What if there were transparencies or overlays? How do multiple typefaces and sizes of letterforms affect the pattern? What if these elements were set into motion?
Asking these specific questions allowed for my experiment to have multiple pieces to it. The things I was creating could be applied to print or motion graphics. The more I experimented the more I got into the form and character of what I was doing. This project seemed to really excite me about the things I was discovering. With every question I answered a new light was shed on the possibilities that this experiment held.
I learned that one simple question about typography can turn into this great end result. Type is no longer looked at in the same way. It takes on a more abstract meaning. It is not about if someone can read the message or letterforms being made. It is about the feeling of beauty you get when looking at this and then later realizing that they are constructed with type. I feel that this so called experiment has really opened my eyes to the possibilities that typography holds. I discovered it is not only about type and image and how you can make them work together but more about how you can make Image with type become one.
Monday, February 22, 2010
some animation progress
Untitled from johnna pasch on Vimeo.
shape mask from johnna pasch on Vimeo.
Untitled from johnna pasch on Vimeo.
Sunday, February 21, 2010
extra credit banner

























